Oh scales. The bane of many musicians’ existences. But, knowing how to practice scales is actually really important.
If you can’t practice scales well, it will affect how much music you can learn. It will change how you learn music, too.
So, how do you practice scales?
What are Scales?
To put it simply, scales are the backbone of music music. Any tonal piece of music revolves around a key and that key’s corresponding scale.
Scales also make up a good chunk of the melody in some pieces.
If you need a visual, picture the piano keyboard. Start with the white key to the left of a group of two black keys. Play each white key until you reach the next group of two black keys.
That’s the C major scale on piano.
The flute also has a C major scale, and so do other instruments.
Major
Major scales, like the C major scale, are pretty common in music. Most pieces in major keys will use the scale at some point.
Major scales consist of the following intervals:
whole step – whole step – half step – whole step -whole step -whole step -half step
They sound happy and upbeat, and that’s what gives major keys their pleasant sound.
Minor
Minor scales are based on major scales. They have three types, and each minor scale has a relative major and a parallel major scale.
Let’s start with the natural minor scale, which is very similar to the major scale. The natural minor scale has these intervals:
whole step – half step -whole step – whole step – half step – whole step – whole step
If you compare that to the major scale, the intervals are the same, but it starts in a different place.
The harmonic minor scale is similar, but there are a couple of important changes. Instead of the final interval being a whole step, it’s a half step.
And to make up for that, the second to last interval is a whole plus a half step.
The last three intervals of a melodic minor scale are the same as the last three intervals as a major scale, going up anyway. Going down, this scale is the same as the natural minor scale.
Chromatic scale
Another popular scale is the chromatic scale. This scale involves all 12 notes of the western musical scale. That means you’ll play all while and black keys on a piano, in order.
If you play another instrument, you may have some strange fingering combinations. However, you’ll also play every note in your instrument’s range.
Whole tone scale
The whole tone scale is similar to the chromatic scale, except it uses every other note out of the 12. Its only interval is a whole step, so you skip one note each time.
There are two iterations of this scale, but it might start on different notes. The iterations include:
C – D – E – F#/Gb -G#/Ab – A#/Bb
and
C#/Db – D#/Eb – F -G – A – B
Why Should You Practice Scales?
If you can’t practice scales, it will make it much harder for you to learn new pieces of music. You’ll take longer to learn the same amount of music than someone who can practice scales.
Knowing how to practice scales is an important part of advancing as a musician. If you go to music school, you’ll probably have to play a scale or two for your auditions.
Fundamental
As I said earlier, scales are fundamental to almost all music. A lot of warm up exercises use scales as their base.
Being able to practice scales can help you warm up more efficiently. That’s because you can cover multiple elements.
If you practice scales slowly, you can work on your tone as well as your knowledge of various scales.
Learning how to practice scales can take some time. So don’t feel like you have to learn everything at once.
Pieces
Just as how scales are the basis for your instrument, they’re the basis for most music. Many classical works use one or two scales throughout the piece.
If you get into more recent music, that number might increase. Or it might go away, with atonal music.
Still, knowing how to practice scales will help you learn more music more efficiently.
Whether you’re in music school or just like to play in multiple community ensembles, you might have a lot of music to learn.
And odds are good that you don’t have that much time. So, you need to streamline your practice.
How to Practice Scales
If you have yet to practice scales, there are a few steps you can follow to make it easier. And if you already practice scales, you can always improve how you do so.
Knowing how to practice scales well will help you with your overall music studies. Here are some steps to follow when you practice scales.
Choose your scale
Do you want to practice a major scale? What about minor scales? And you can’t forget your chromatic or whole tone scales.
Before you can practice scales, you have to know which you want to practice.
Of course, you can (and should) practice multiple scales. If you have time, it’s not a bad idea to run through as many scales as you can.
For now, let’s use C major as an example.
Know the key
If you want to practice scales, you have to know what key each is in. C major is easy; there are no sharps or flats.
For piano players, this means playing only white keys. Other musicians will have to figure out which notes/fingerings constitute C major.
Flutists can play C major by starting with the low C (the two primary footjoint keys) and removing one key at a time. The exception is that you’ll remove both footjoint keys at the same time.
Now, if you play a transposing instrument that doesn’t sound like how it’s written, you have another thing to consider. Do you want to practice the written key or the sounding key?
In both cases, you should know how the scale relates between what you see and what you hear.
Octave after octave
Next, plan out how many octaves you plan to play of your chosen scale. Pianists have a huge range, so it’s not uncommon to practice two to four octaves of a scale in one go.
As a flutist, I can play up to three octaves of the C major scale. Other instruments may have a smaller or larger range.
So you have to consider your instrument’s range and your skill level. If you’re new to your instrument, stick to one octave at first.
Part of knowing how to practice scales is knowing what you can and can’t handle.
Slow and steady
If this is your first time learning to practice scales, take it slowly. You want to make sure you play the right notes.
While you may want to show off your skills, you don’t want to miss half of the notes just so you can play a bit faster.
Think of how fast you can play the most complicated part of the scale. Base your entire tempo off of that.
As you practice scales more, you can slowly increase the tempo.
Arpeggios, too
Once you learn how to practice scales, you should start to practice arpeggios. Arpeggios are broken chords based off of the scale.
For example, a C major chord utilizes C, E, and G. If your instrument can play multiple notes at a time, you can also practice the chord.
But if not, you can play the arpeggio. That means playing C, E, and G in succession.
So…
How do you like to practice scales? Do you have any special tricks? Let me know in the comments!
This article was helpful to me because I haven’t been sure whether scales were really supposed to be challenging. I took up flute seven months ago, having previously played trombone, and started playing half a dozen major scales, one octave, every day after two months. At three or four months I decided to go all-out and work on major, natural minor, melodic minor, harmonic minor, pentatonic, minor pentatonic, and whole-tone in all twelve keys, for as much of the instrument’s range as I can handle; I’m topping out at the high B-flat right now. Each day I choose a particular scale–major on Sundays, natural minor on Mondays, etc.–and play it in all twelve keys, taking a week to cycle through the different scales. It takes me about fifteen minutes a day, except on whole-tone day, which falls on Saturday and is my reward for surviving the other days. So far I’m not playing triads much except in the major scale. I find all of this satisfying, but it’s a lot of work, and I confess to having wondered if I simply don’t have much ability.
That’s amazing! I’d say you’re doing pretty well after seven months of playing. It takes time to learn to play the flute, so keep at it. If you ever get bored, you can switch things up to keep practicing interesting. Let me know if you have any other questions!
That’s kind of you. I have read a lot about the history of the Big Band era, and my inspiration regarding scales is Benny Goodman, who had his first clarinet lesson at age ten but was still practicing his scales before breakfast every day when he was in his seventies. Not many people have ever improvised as well as Benny, but there he was, doing the mundane repetitive tasks year after year. There might be a lesson in that. I’ve begun the same routine on recorder (I’m at three months on that), but just the major and three minor scales so far. I’ve subscribed to updates from you, so I’ll look forward to more excellent information from you. Thank you again.